They are not adequate to make you feel the rage the film intends. Irrfan at the hospital, tortured by memories you don’t see, as he waits for Bansal to recover from food poisoning.īut these moments are few and far between. There are some really, really nice moments between Irrfan and Vishesh Bansal, who plays the lad who is kidnapped, the politician’s son. It has moments, excellent moments, that strike a chord with you - that make you smile, that make you sympathise. It has a director, Nishikant Kamat, whose potential is interesting. It has a script that made Irrfan pick up the phone in search of a director. ![]() It has a lead actor, Irrfan Khan, whose name is testimony to his talent. In order to do so, he kidnaps the son of a powerful politician.Īnd then, the film attempts to take a particular direction. And decides the system, and those who feed on the corruption to fatten their already burgeoning pockets, will have to pay. ![]() Those of you who have watched the Madaari trailer – and probably waited for the film – would have a fair guess at the plot.Ī father loses his son. ![]() ![]() Or - bottomline - do we fall in love with a film because it manages, somewhere, to touch something within us? To evoke a reaction that we can’t ignore? Do we applaud a film because it has an actor who is, in general, fantastic and makes us resonate with the characters he plays?
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